Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist and film director known for low-budget genre movies with controversial themes.
He was born Samuel Michael Fuller in Worcester, Massachusetts, the son of Benjamin Rabinovitch, a Jewish immigrant from Russia, and Rebecca Baum, a Jewish immigrant from Poland. After immigrating to America, the family's surname was changed from Rabinovitch to "Fuller" possibly by inspiration of a Doctor who arrived in America on the Mayflower. At the age of 12, he began working in journalism as a newspaper copyboy. He became a crime reporter in New York City at age 17, working for the New York Evening Graphic. He broke the story of Jeanne Eagels' death. He wrote pulp novels and screenplays from the mid-1930s onwards. Fuller also became a screenplay ghostwriter but would never tell interviewers which screenplays that he ghost-wrote explaining "that's what a ghost writer is for".
During World War II, Fuller joined the United States Army infantry. He was assigned to the 16th Infantry Regiment, 1st Infantry Division, and saw heavy fighting. He was involved in landings in Africa, Sicily, and Normandy and also saw action in Belgium and Czechoslovakia. In 1945 he was present at the liberation of the German concentration camp at Falkenau and shot 16 mm footage which was used later in the documentary Falkenau: The Impossible. For his service, he was awarded the Bronze Star, the Silver Star, and the Purple Heart. Fuller used his wartime experiences as material in his films, especially in The Big Red One (1980), a nickname of the 1st Infantry Division.
After his controversial film "White Dog" was shelved by Paramount pictures, Fuller moved to France, and never directed another American film. Fuller eventually returned to America. He died of natural causes in his California home. In November 1997, the Directors Guild held a three hour memorial in his honor, hosted by Curtis Hanson, his long time friend and co-writer on White Dog. He was survived by his wife Christa and daughter Samantha.
| 年份 | 片名 | 分级 | 原名 |
|---|---|---|---|
| 出演 | |||
| 2013 | 富勒的一生 | 0 | A Fuller Life |
| 1996 | 一个导演的故事 | 0 | The Typewriter, the Rifle & the Movie Camera |
| 1992 | 波希米亚生活 | +13 | La Vie de Bohème |
| 1987 | 吸血鬼复仇记II | 14 | A Return to Salem's Lot |
| 1982 | 白狗 | 16 | White Dog |
| 1980 | 红一纵队 | 18 | The Big Red One |
| 1979 | 一九四一 | 12 | 1941 |
| 1977 | 美国朋友 | 16 | Der amerikanische Freund |
| 1965 | 狂人皮埃罗 | 14 | Pierrot le fou |
| 导演 | |||
| 1959 | 血色和服 | 0 | The Crimson Kimono |
| 1959 | 禁止! | NR | Verboten! |
| 1957 | 四十支枪 | 0 | Forty Guns |
| 1957 | 关山劫 | 7 | China Gate |
| 1953 | 南街奇遇 | U | Pickup on South Street |
| 1952 | 公园大道 | NR | Park Row |
| 1951 | 坚韧的刺刀 | 14 | Fixed Bayonets! |
| 1951 | 钢盔 | 16 | The Steel Helmet |
| 1950 | 奸雄末路 | 12 | The Baron of Arizona |
| 1949 | 击毙杰西·詹姆斯 | 16 | I Shot Jesse James |
| 1982 | 白狗 | 16 | White Dog |
| 1980 | 红一纵队 | 18 | The Big Red One |
| 1964 | 裸吻 | U | The Naked Kiss |
| 1963 | 恐怖走廊 | 0 | Shock Corridor |
| 1962 | 视死如归 | 16 | Merrill's Marauders |
| 编剧 | |||
| 2013 | 富勒的一生Book | 0 | A Fuller Life |
| 1959 | 禁止!Writer | NR | Verboten! |
| 1959 | 血色和服Writer | 0 | The Crimson Kimono |
| 1957 | 四十支枪Screenplay | 0 | Forty Guns |
| 1957 | 关山劫Screenplay | 7 | China Gate |
| 1954 | 骑兵肉搏战Writer | 16 | The Command |
| 1953 | 南街奇遇Screenplay | U | Pickup on South Street |
| 1952 | 公园大道Writer | NR | Park Row |
| 1951 | 钢盔Writer | 16 | The Steel Helmet |
| 1951 | 坚韧的刺刀Screenplay | 14 | Fixed Bayonets! |
| 1950 | 奸雄末路Writer | 12 | The Baron of Arizona |
| 1949 | 击毙杰西·詹姆斯Writer | 16 | I Shot Jesse James |
| 1943 | 误差幅度Screenplay | NR | Margin for Error |
| 1982 | 白狗Screenplay | 16 | White Dog |
| 1980 | 红一纵队Writer | 18 | The Big Red One |
| 1973 | 死亡大追杀Story | 16 | The Deadly Trackers |
| 1968 | 目标Screenplay | T | Targets |
| 1964 | 裸吻Writer | U | The Naked Kiss |
| 1963 | 恐怖走廊Screenplay | 0 | Shock Corridor |
| 1962 | 视死如归Screenplay | 16 | Merrill's Marauders |
| 工作人员 | |||
| 1967 | 美国制造Thanks | K-16 | Made in U.S.A |
| 制片 | |||
| 1959 | 血色和服Producer | 0 | The Crimson Kimono |
| 1957 | 四十支枪Producer | 0 | Forty Guns |
| 1957 | 关山劫Producer | 7 | China Gate |
| 1952 | 公园大道Producer | NR | Park Row |
| 1951 | 钢盔Producer | 16 | The Steel Helmet |
| 1964 | 裸吻Producer | U | The Naked Kiss |
| 1963 | 恐怖走廊Producer | 0 | Shock Corridor |